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The Independent, 22 April '10: 'Journalism's next generation: a new wave of writers are going online to get their message across'

Classical Music magazine, April '10: 'Critical Point: As arts coverage is slashed in national newspapers... is there a sustainable business model in cyberspace?'

National Arts Journalism Program, 31 March '10: 'Not-Really-an-Editor Interview: Jasper Rees, The Arts Desk'
New Statesman, 1 March '10: 'Notes on a Scandal - does arts criticism have a future?'

Times Arts, 1 February '10: "Thousands protest at break-up of V&A musical instrument collection"
The Times, City Diary, 20 January '10: "In the Blue Corner: Sir John Tusa - In Celebration of the Critic"

BBC Radio 5 Live, 31 December '09: "the 5 essential sites of 2009: theartsdesk.com"

Sadler's Wells recommends, January '10:

Telegraph Online, 12 November '09: "Best Culture Websites: #4 theartsdesk.com"

journalism.co.uk, 23 October '09: "a new horizon for arts journalism"

The JoomlaWorks Blog by the founder of our platform, Fotis Evangelou, 17 October '09: "K2 websites that stand out: #1 theartsdesk.com"

The Independent, 16 October '09: "The 25 best music websites: #21 theartsdesk.com"

London Evening Standard, 15 October '09: Londoner's Diary

London Evening Standard, 7 October '09: "Critics have a new view from arts desk"
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9/9/9 theartsdesk goes online: first week's reactions

'theartsdesk.com is a really exciting new development for all arts consumers, journalists, promoters, movers and shakers' Alex Webb, Media Relations Manager, Contemporary Music, Barbican
“This looks great. A daily must-visit” Bill Lloyd, BBC Scotland
“The line-up of writers is already so distinguished.” Helen Beeckmans, Tate Galleries
“It looks great. Something that will have people logging on in droves. Best wishes, Tim Rice”
“Congratulations. The site looks really great and the articles are very interesting. Also the design and the comfortable using is very good” Dirk Steiner, Leipzig Gewandhaus Orchestra
'The Arts Desk is a bloody good read, and tasting nice and reliable. It's the nuts, and it looks really fresh too, the layouts/artwork are spot on. It's a real delight to see the launch! Pages like this are the future of music/art journalism. BIG-UP!' Dubstep producer Locus
“It is exciting to see theartsdesk.com using advancing technologies to cover the arts in new and innovative ways.” Marketing Dept, Scottish Ballet
"it looks thought-provoking and interesting - so many music sites are about instant twitteresque surface info and this looks intriguing, like it might actually tell you more, and it's diverse too! Holly Da Sylva, The Big Chill
“Simple to get around and informative, well executed and interesting.” Jeff Gilbert, Unit Head, East London Small Business Centre
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New articles
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Bouquet of Barbed Wire, ITV1
Apart from a few nips and tucks, age has not withered Bouquet of Barbed Wire. Anyone who can remember the original steamy adaptation of Andrea Newman’s fine novel will recognise the changes. Prue, no longer the manipulative cow who graced our screens back in 1976, has been made-over as an unworldly innocent, while husband Gavin – still a deeply unpleasant…
Written on Tuesday, 07 September 2010 09:23
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RSNO, Denève; Ensemble Matheus, Spinosi, Royal Albert Hall
One Proms blockbuster effortlessly reached its goal last night when Paul Lewis crowned his Beethoven piano concertos series with a diamantine "Emperor". Two more suggested themselves in a challenging quartet of big works programmed by the Royal Scottish National Orchestra's brilliant music director Stéphane Denève. I now hunger for concert performances here conducted by Denève of Berlioz's Benvenuto Cellini and…
Written on Tuesday, 07 September 2010 09:15
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Q&A Special: Writer-composer Richard Thomas
Richard Thomas wrote Jerry Springer, The Opera, as everyone knows - and he is soon to unveil Anna Nicole, the opera. Can this be the same Richard Thomas who’s written a dance show at Sadler’s Wells, with a cheesy poster, called Shoes? It hardly seems likely. Flames, expletives, scabrous lines, suppurating satire - that’s what makes a Richard Thomas show,…
Written on Tuesday, 07 September 2010 08:30
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Film: Tamara Drewe
If Cold Comfort Farm and Hot Fuzz got chatting down their local one night, the conversation might go something along the lines of Tamara Drewe. Putting the “sex” in Wessex, Stephen Frears’s latest film loosens the corsets of the Hardy pastoral, pitting town and country against one another in the dirtiest and most gleefully anarchic of fist-fights. Heaving bosoms, brooding…
Written on Tuesday, 07 September 2010 08:00
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