| |
|
Comedy
Bo Burnham says he doesn’t like the terms musical comic, internet sensation or teenage wonder. Well he’s all three, save the last now, as he turned 20 during this year’s Fringe - and anyway he prefers the term prodigy, he tells us in deadpan tones typical of the deeply ironic, faux offensive manner of his performance style. But sensationally talented he undoubtedly is, and this is an hour so stuffed with gags - verbal, visual and musical - that one almost doesn’t have enough time to savour each one before yet another rolls by.
With the charm-cum-cheek of a naughty schoolboy, Patrick Monahan is an instantly likeable presence whose latest show, I Walked, I Danced, Iran, is a lop-sided but very funny hour-and-a-bit of observational comedy. Monahan is a veteran of several Fringes and a regular on The Paul O’Grady Show on Channel 4. His physical verve is dampened only slightly by ligament damage, caused by “pratting about” at the previous evening’s show but his pronounced limp doesn’t stop him sliding down the stairs from the balcony to make his arrival, although he does retreat to a stool at several points.
When Sarah Millican won the If.comedy newcomer award two years ago, it was with one of the most accomplished shows I had ever seen at the Fringe - by newbie or veteran - and now the South Shields stand-up has made critics reach for the superlatives again with another hour of superbly crafted comedy.
Comic Greg Davies has made us wait for his solo debut - he’s in his early forties, appeared at the Fringe as part of sketch group We Are Klang for a few years and more latterly has been starring in The Inbetweeners on Channel 4 as Mr Gilbert. Before that he was a drama teacher in a secondary school for 13 years. But boy, was it worth the wait.
Rob Rouse is one of those hugely likeable comedians guaranteed to make you laugh and so it proves with The Great Escape, prompted by his family’s recent move to the Peak District, an expertly crafted autobiographical narrative with lots of fresh observational comedy thrown in for good measure.
He may call it Titting About, but Kevin Eldon’s show, his first as a solo performer (at the grand age of 49), should be made compulsory viewing for young comics. For this is a man who has learned his craft, the value of good writing, of stage presence, of timing and myriad other things while putting together a lengthy CV that includes Nighty Night, I’m Alan Partridge, Fist of Fun and Brass Eye. If you have seen him in any of those, you will know he's a comedic actor of great range and restraint.
This is a show of such originality and inventiveness that I will struggle to convey just how much fun it is to watch a man perform sight gags and physical comedy for an hour - and who does indeed appear throughout with a strip of black gaffer tape over his mouth.
You may think the very well-presented comic Stuart Goldsmith - clean-shaven and wearing sensible Merrells (“which says I’m not wearing a fleece but I own one”) - is the sort of bloke your mum always hoped you would end up marrying or having as your best friend. His show is titled The Reasonable Man, and Goldsmith is indeed utterly dependable, he tells us, plus he comes from that most nondescript of towns, Leamington Spa. But he would like to break out a bit.
Marcel Lucont, “France’s greatest misanthropic lover”, comes on stage looking like the love child of Jean-Paul Sartre and Serge Gainsbourg - in head-to-toe black, sporting manly stubble and clutching a bottle of vin rouge. Is he an ethnic stereotype, or is he the alter ego of Alexis Dubus from Buckinghamshire, who happens to speak perfect French?
Celia Pacquola made her Fringe debut last year after storming various comedy festivals in her native Australia with a show about her boyfriend’s infidelity and, while it was entertaining enough, it lacked a bit of oomph. But her new show packs a real emotional and comedic punch and displays a noticeable development of her writing and performing talents.
|
|
|
Subscribe to the newsletter from The Arts Desk
Inside Comedy
New articles
-
Bouquet of Barbed Wire, ITV1
Apart from a few nips and tucks, age has not withered Bouquet of Barbed Wire. Anyone who can remember the original steamy adaptation of Andrea Newman’s fine novel will recognise the changes. Prue, no longer the manipulative cow who graced our screens back in 1976, has been made-over as an unworldly innocent, while husband Gavin – still a deeply unpleasant…
Written on Tuesday, 07 September 2010 09:23
Read more...
-
RSNO, Denève; Ensemble Matheus, Spinosi, Royal Albert Hall
One Proms blockbuster effortlessly reached its goal last night when Paul Lewis crowned his Beethoven piano concertos series with a diamantine "Emperor". Two more suggested themselves in a challenging quartet of big works programmed by the Royal Scottish National Orchestra's brilliant music director Stéphane Denève. I now hunger for concert performances here conducted by Denève of Berlioz's Benvenuto Cellini and…
Written on Tuesday, 07 September 2010 09:15
Read more...
-
Q&A Special: Writer-composer Richard Thomas
Richard Thomas wrote Jerry Springer, The Opera, as everyone knows - and he is soon to unveil Anna Nicole, the opera. Can this be the same Richard Thomas who’s written a dance show at Sadler’s Wells, with a cheesy poster, called Shoes? It hardly seems likely. Flames, expletives, scabrous lines, suppurating satire - that’s what makes a Richard Thomas show,…
Written on Tuesday, 07 September 2010 08:30
Read more...
-
Film: Tamara Drewe
If Cold Comfort Farm and Hot Fuzz got chatting down their local one night, the conversation might go something along the lines of Tamara Drewe. Putting the “sex” in Wessex, Stephen Frears’s latest film loosens the corsets of the Hardy pastoral, pitting town and country against one another in the dirtiest and most gleefully anarchic of fist-fights. Heaving bosoms, brooding…
Written on Tuesday, 07 September 2010 08:00
Read more...
 
Browse by date
| « |
September 2010 |
» |
| Mon |
Tue |
Wed |
Thu |
Fri |
Sat |
Sun |
| |
|
1 |
2 |
3 |
4 |
5 |
| 6 |
7 |
8 |
9 |
10 |
11 |
12 |
| 13 |
14 |
15 |
16 |
17 |
18 |
19 |
| 20 |
21 |
22 |
23 |
24 |
25 |
26 |
| 27 |
28 |
29 |
30 |
|
|
|
|
|
|
